Hi. I'm Jenna McGuiggan.
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Entries in stories (36)

Wednesday
Feb112009

Don't Fear Your Creative Genius

Dear Creative Ones,
Please watch this video. It might be just what you need.

"Elizabeth Gilbert muses on the impossible things we expect from artists and geniuses -- and shares the radical idea that, instead of the rare person "being" a genius, all of us "have" a genius. It's a funny, personal and surprisingly moving talk." (from TED Talks)

Sunday
Jan182009

Pitfalls of the Blogging Writer


There are many things I love about being a writer. There are many things I love about blogging. But sometimes, being a writer who blogs can be a real drag. Actually, being a writer has a number of pitfalls. I live in constant fear that I'll mispronounce the word "nuclear." I worry about undetected grammatical errors infiltrating my daily speech. Writing a quick email is never quick or easy. Words are my trade. Unfortunately, those very same words are what we English speakers use to communicate. So every written or verbal interaction is like a landmine for writers. One false move or double negative and BOOM! Not good.

I love using this space to tell stories. I also love that it's a place to make you laugh, share truth, and generally form and kindle connections. That's what I love about writing in general. So when I'm quiet for a few days (or nearly two weeks), it's not because I'm not thinking of you, dear reader. It's because I feel constrained by my role as Writer, capital W. I want to stop by and say, Hey friends, how's it goin'? It's cold and snowy here. Oh, and I've been working on a cool project. What's new with you?

But that's not very story-ish, now is it? (Plus, dropping the letter "g" from the ends of words could get me in trouble with the word police.) Even writing this post feels like a cop-out. In the back of my mind, I'm always aware that what I write on this blog can be used to judge me. Of course, that's true for all of us who blog or share our words in a public way: There's always the risk of judgement when we put ourselves out there. But that's a whole different emotional animal that deserves its own series of posts.

I mean that I know that potential clients and editors can come here and judge the quality of my writing or the content of my posts. I have no statistical data on this, but I believe that what I write here may be a factor in whether or not someone hires me. So I feel an unspoken pressure to make sure it's always good.

But that kind of pressure in this kind of format leads to no writing. While I often use this medium to share stories, a blog is something different than a book of essays. Sometimes I wonder if I should make it more like an online publication and less like my little corner of the virtual town square. But I've developed real friendships and made good professional contacts as a result of blogging. Erasing the community quotient from this space doesn't feel right.

I'd like to know how those of you who make your living creatively feel about this topic. Do you feel like everything you write must be a reinforcement of your personal "brand"? (I know, I know: many of you hate that term.) Does this issue of quality control impact other artists as much as it does writers? What about those of you in other fields? How do you balance staying in touch and building community with the need to provide quality content on a regular basis? And while you're at it in the comments, How you doin'?

Friday
Nov282008

Self Reflection


The man behind me in line at the post office smells bad, like a combination of body odor, motor oil, and stale cigarettes. I try to stand as far away from him as possible without creeping out the guy in front of me. But suddenly the man behind me starts to talk, apparently to me. He makes some comments on having to wait in line and trying to have fun regardless. I smile vaguely and mumble an agreement. But of course he isn't done.

He launches into a seemingly random and convoluted story about how he had to lecture someone -- his son, I think -- on acting like a man. Being a man isn't something that happens right away, not even after you've been in the military, he tells me. But his daughter, she had a four-point-grade-average. And why? Because she worked hard. You gotta study and work hard. And learn to be a man. I'm not gonna do it for you.

The line moves forward, and I'm next. Someone else is talking loudly about a local ski resort, and suddenly the man behind me switches subjects and launches into a treatise on the place. They have free skiing this time of year, he says, to get you hooked so you'll come back and pay later. He says he worked there for five years. I ask him if he skis. He says no, and seems to see the humor in this. I can't help thinking he's making the whole thing up. But when I look online later, I find out that the resort is indeed running a free ski ticket special.

The conversation is confusing and makes me feel embarrassed, but now I'm too invested in it to just turn around and ignore the man. I tell myself that he's probably lonely, possibly homeless, and perhaps delusional. Maybe he doesn't even have a son or daughter. Or maybe he does, and they don't want anything to do with him.

I don't want to talk to him, but I tell myself that he's a person who deserves respect. And what harm can a bit of conversation do? But even as I'm trying to be magnanimous, I notice myself glancing at the faces of the people in line behind him, wondering if they think I'm there with him, or if they pity me for being the sucker who got roped into talking to him. Or even worse, maybe they're thinking how kind I am for taking pity on him. I catch myself caring what these strangers think of me, and I feel ashamed.

The mail clerk calls "Next!" and I walk away from the one-sided conversation, pausing just long enough to let the man finish his sentence. I get swept up in the details of my mail and lose all track of the man. I have no idea what kind of transaction he does or whether he leaves the post office before me.

I leave, thinking about how I tried my best to see this outcast as a real person. But I also know that I did it halfheartedly, with reservation, and a secret sense of accomplishment at being the sort of person who will pay attention to a dirty, rambling man. And then I feel shame at such watery pride. My attempt to be openhearted is a thin gruel that amounts to nothing more than self-righteousness. It's sour and unfulfilling.

I feel even worse a few minutes later during a phone call with a friend when I complain about the wait in the post office and the chatty, smelly man behind me. I treated him like half a man to his face and then scorned him in private.

What kind of a person does that make me?

It makes me the kind of person I dislike. I once lambasted a friend of my parents' who complained about the homeless people panhandling outside of his office. If they really wanted a job, he claimed, they could get one. I was baffled and hurt when my dad agreed with his friend. I reminded him of how many jobs he'd personally lost due to lay-offs and plant closings. There but for the grace of God, I said. I lectured my elders on how good people end up down-and-out due to circumstances that that they couldn't foresee and that we don't know.

These were the same lectures I gave myself ten years ago as a volunteer coordinator for a mobile soup kitchen. The program fed dozens of people each night on the streets of east London. I was fresh out of college, alone in a new country, and floundering in a role that lacked adequate management and supervision. I spent most of my time hiding out in the office, ordering supplies, creating newsletters, and making the monthly volunteer schedules. I went out on the van just a few times during my year with the program. I was afraid to interact with the homeless men and women, afraid to be on the streets at night, afraid that I would look afraid. I let that fear guide me, even though the interactions themselves were never very frightening. But I made myself the wizard behind the curtain, keeping both the volunteers and the clients at arm's length.

I'm uncomfortable around the homeless, the elderly, the disabled, the infirm, the incoherent. This makes me uncomfortable with myself. To make up for it, I acknowledge misfits in the post office. I always try to look homeless people in the eye. When they ask for money, I either give a little something or say, "Sorry, not today." I try to give them a small piece of the respect I've lost for myself, and in that way, try to regain it.

Monday
Nov242008

Tell Your Story: An Interview with Jen Lee

The magical Jen Lee, photo by Jen Lemen
Some things I love:

  • new friends with old souls;

  • beautiful creative projects;

  • learning how to do something new; and

  • getting to the heart of a story.

This audio interview
that I did with the radiant Jen Lee envelops all four of these things. First of all, my lovely new friend Jen has a wise soul that practically glows with creativity. To create this interview, she taught me a thing or two about using Garage Band on my new Mac. But the best part of this little interview is getting to hear a piece of Jen's story, including how and why she created Don't Write: A Reluctant Journal and Solstice: Stories of Light in the Dark, two projects that are still available for purchase on her website. (Each are part of limited edition runs, so don't wait to order them!)

Treat yourself to a warm beverage, close your eyes, and allow yourself to soak in Jen's voice as she talks about having the courage to write and making our voices heard.

(Once you click through to the audio link, just click "Play" to listen to the interview online.)

Thursday
Oct232008

Where I was last week